This text lays out some considerations regarding socialist urban furniture with a view to better understanding the context in which post-socialist urban furniture functions.
On the basis of a number of examples, it argues that the key characteristic of design elements in socialist urban planning was their embodiment of the connection of the individual to a wider social whole. With the collapse of communism, this frame disappears. Elements of the socialist built environment now remain as material evidence of the unfulfilled promises of the past, reminders of inhabitants’ current alienation in an unbound social context. The argument made in the text is that considering how to hack urban furniture in the post-socialist context requires engaging with the fact that the overall programme in which the society was written has already definitively collapsed. What roles might projects around urban furniture play in this context?
From 8th till 12th of August 2018 team Škograd organized the second summer school called Schoolaboratory 002 in the schoolyard of OŠ “Vlada Obradović Kameni”. The programme of the summer school aimed at children of Ledine. About thirty children participated in the workshops every day.
15|09–13|10|2018, PRAGUE: How does migration change the cities? How does it manifest in architecture, housing, services and public space ordering? What happens with the urban space when newly arriving inhabitants from all around the world start to make use of it?
Hacking Urban Furniture: VIP Box, Re-Defining the Semi-Public
In the framework of the Hacking Urban Furniture research project, KUNSTrePUBLIK invited the artist-duo Adam Page and Eva Hertzsch to redesign their artwork Executive Box, originally made for documenta X (Kassel, 1997). The work has been re-contextualised asking important questions of ownership, privilege and the right-to-the-city in relation to shared infrastructures.