
How Culture Works
"DOES EVERYTHING ALWAYS HAVE TO BE ASSESSED?" No. But when cultural work is financed with public funds, there is a necessity to evaluate.
Prague Permanent linkJean‑Louis Missika, deputy mayor of Paris, talks about his passion project – a design competition for underutilized spaces – and why he believes shared spaces are the future of the city.
(c) Tomáš Princ
photo (c) Tomáš Princ
Jean‑Louis Missika, deputy mayor of Paris, believes that the City on the Seine must undergo a transformation. Irena Jirku (Editor in Chief of Ego magazine) talked to Missika, who is in charge of Paris’s urban planning and architecture, about his passion project, Réinventer Paris (Reinvent Paris). The competition asks urban designers to propose innovative uses for underutilized city spaces, most of which are at least partially underground.
Everything! The role of the city is changing. Thus far, Paris has been pursuing its architectural interests through public buildings, such as libraries, museums, and schools. As for other buildings and property suitable for revitalization, it was mostly about maximizing profit. In this competition, it is the most inventive and truly innovative project that wins.
A quote is part of every project. It has to be interesting for us, but the financial aspect is not the primary factor. Yes, in such cases the city can even earn less money from the sale. That’s logical. When an investor wants to create a park, a community garden, or a cultural centre, with these components making up a half of the project, he naturally can’t make the same profit as he would building a 10-story hotel on that plot.
Read the full CityLab interview here.
"DOES EVERYTHING ALWAYS HAVE TO BE ASSESSED?" No. But when cultural work is financed with public funds, there is a necessity to evaluate.
Prague Permanent linkThe one-day programme was based on discussion formats with renowned European architecture theorists, curators and urban researchers.
Prague Permanent linkWithin Shared Cities: Creative Momentum the Czech Centres realized the "Iconic Ruins?" exhibition and an economic impact evaluation of the project. How does the future of the exhibition look like? What are the benefits of having an economic analysis of the project? Find the answers in the interview with Ivana Černá and Sandra Karácsony from the Czech Centres / Česká Centra in Prague, Czech Republic.
Prague Permanent link