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Workshop by #sharedcities: Do-It-Yourself Bauhaus Furniture 📐🙌 * Today we celebrated the 100th anniversary of the founding of the Bauhaus School with a creative workshop @gi_tschechien * We invited our visitors to build an all-purpose piece of furniture according to the principles of functionalism and minimalism. * Thanks to all who participated! We hope you will enjoy your self-made furniture 🤗 . . . #sccm2020 #sharedcities #creativemomentum #creativeeurope #eu #sharing #sharingiscaring #goetheinstitutpraha #gi_tschechien #pragueevents #praguelife #prague_ig #lifeinthecity #doityourself #Bauhaus #bauhaus100
Iconic Ruins? Exhibition Catalogue #ONLINE
The ICONIC RUINS? exhibition seeks to reveal the parallels to be found in the architecture of the four Visegrad countries’ shared state-socialist past and to initiate a broader discussion of the immediate future of the critically at risk cultural heritage of late modernism. Download the exhibition catalogue to find out more about Post-war Socialist Architecture in the Visegrad Countries.
Post-war architecture in the former state-socialist countries has recently become a prominent topic. For a long time it was viewed by the public in a dubious light and against the backdrop of the often bleak personal memories of and lives impacted by the communist regime.
Recent expert studies and activities aimed at public education have, however, revealed that the architecture at that time assumed a surprisingly diverse array of forms and that there existed in the region a parallel course of development that anchors the former Eastern bloc within the wider frame of the history of world architecture.
The ICONIC RUINS? exhibition thus focuses primarily on politically prominent public investment projects and looks at where the ambitions of power and the creative ideas of architects connected and where they clashed.
The rapid demise of this architecture in recent years as a result of dramatic redevelopment and radical demolitions has prompted unprecedented action on the part of the professional community and academic sphere. The exhibition therefore also tracks the current condition of post-war architecture and combines historical comparisons based on Docomomo International’s methodology with student visions for the future use and transformation of such structures, which were developed as part of a project of the same name run by the Academy of Fine Arts in Bratislava (Studio of Architecture II, III A3, and the Virtual Studio).
Henrieta Moravčíková (SK),
Petr Vorlík (CZ)
Anna Cymmer (PL)
Ábel Mészáros (HU)
Richard Jaroš (Side2)
© Czech Centres, 2019